by Michael Sicinski
“In a world where everything seems programmed, even chaos, chance, or surprise, you’ve got to defy logic and bewilder people.” This is but one of the many lines of prose presented, without overt comment, in Le beau danger, written by the film’s subject Romanian author Norman Manea. However, this sentence seems as if it could serve quite well as an epigraph for René Frölke’s highly unusual documentary portrait…. >>>